Royd RR3
Sorry - I posted this in the "Blog" section in error. Hey, I'm new!
Good evening.
I am thrilled to have stumbled onto this site.
I am a brand mew member.
I live in Toronto Canada.
I am also a very frustrated puppy!
I own a pair of - drum roll please - Royd RR3, for about 5 or 6 years.
I had bought them used and without auditioning them. Why did I do this? Because I
have owned a pair of Royd Edens for about 20 years or longer and I still have them and I love them.
Unfortunately, I really do NOT like the RR3s.
Try as I might they just do not do anything for me.
They have been sitting uplugged in a corner for at least 4 or 5 years and only tonight did I decide to try them again.
Now, I have to admit I am not educated enough to know if I am doing something wrong but they are just not very "musical" at all.
I am using the following front end:
Exposure XVII Preamp and XVIII Power amp (non super) with Exposure speaker cables.
Internally, the wire connecting the 2 sets of binding posts have been snipped and I am using jumpers on the outside posts.
If one of you Royd experts would like to comment as to how I can get happier I would very much appreciate it.
Otherwise, I will probably have to sell them.
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Comments
Sounds like you're hoping to get more from your Royds. I'm sure one of the fellas will be along presently....
There are no Royd experts here, just a few enthusiastic amateurs. Being one myself, I am puzzled by your experience only because it doesn't match my own. Received wisdom is that Exposure & Royd work really well together, and I have no reason to doubt that.
I also have the internal jumpers cut, that shouldn't affect anything. I suppose the RR3 may not work well in your room, it could be as simple as that. Just use other speakers in that case.
I have found they are very power hungry, I don't know your particular amp but my RR3 made NVA 40 watt monoblocks clip on vocal peaks. They are ruthlessly revealing monitors, source, amp, cables, but that shouldn't render them unlistenable by any stretch, especially if Edens work well in your setup.
The worst case scenario is that you have a duff set, either from the factory, or a bodged repair. A large reservation I have about Royds, Spicas and other 'finessed' speakers is how easily ruined they are. Royds, for example, have an unusual crossover (so I am led to believe), which works in concert with a doped mid-bass driver (which is itself further customized). Replacing crossover components, repairing driver surrounds, or whatever, could have a deletrious affect on the whole package. Joe Ackroyd worked hard on preserving phase and critical damping all frequencies evenly, this work can be fluffed up even by messing even with just the internal wadding. Of course, this wouldn't matter so much on other speakers.
My advice at this point is to try a more powerful amplifier, if it doesn't help then sell the RR3s on (but with a demo, just to be sure the new owner is happy with them).
It is a puzzler this, I still think that maybe they don't like your room (they are far, far closer to 'full range' than other Royds). I just hope they aren't duff ones! I hope you find a solution somehow!