Class A
Haven't started a thread for a while, and feeling guilty...
I've been loving that Class A sound lately. And had an exchange with an old friend today (certainly not an audioforum type person) about that Class A thang.
Just wanted to get responses to any of these general comments he came up with...
"They avoid crossover distortion at the expense of lower efficiency...But of course it all depends on the implementation.
You can make a crappy class A or a really good class B. And class B
probably tends to be more symmetrical, leading to odd rather than even
harmonics. Class A possibly gives more of an even harmonic tubey sound...I might want to check that odd harmonic stuff. It might be pub induced bollocks."
Col's stuff is, of course well implremented. :-) I'll put that out there straight away.
I've been loving that Class A sound lately. And had an exchange with an old friend today (certainly not an audioforum type person) about that Class A thang.
Just wanted to get responses to any of these general comments he came up with...
"They avoid crossover distortion at the expense of lower efficiency...But of course it all depends on the implementation.
You can make a crappy class A or a really good class B. And class B
probably tends to be more symmetrical, leading to odd rather than even
harmonics. Class A possibly gives more of an even harmonic tubey sound...I might want to check that odd harmonic stuff. It might be pub induced bollocks."
Col's stuff is, of course well implremented. :-) I'll put that out there straight away.
Comments
Duly corrected. Thanks... :-)
However, crossover distortion cannot be what class A 'magic' is all about. I have SECA amps and class A/B amps, the class A/B I'm using at the moment has sliding bias that is specifically designed to deal with crossover distortion. The amp also runs much of the time in class A (though I would guess push-pull, rather than single ended).
The main point here, based on nothing but my own experience, is that these different amps sound utterly different, and neither has problems with crossover distortion. So it can't be a critical differentiating factor in well designed amplifiers.
Col', for Ben's A-Z alphabet amplifier guide i'll do my best. Here goes, I'll do it reverse order...
Class Z amps: These are stripey and designed to work well on the savannah. They do not perform well with the US hard rock band 'Lions'.
I wonder how big & heavy a pair of 100W monos would be?
Makes my MDF & bathroom tile chassis look a bit naff tbh...
Could I trade in some children to work in the TQ sweatshop in part ex? Mind you, they don't weigh 58kg each...
A featherweight at only 11 kg
;-)
The case design is a very elegant approach, it reminds me of the smaller burning amp chassis.
:-)) yep, I got the A Class SECA pre working, sounds good, ugly but sounds good.
I didn't know they were 300va traffos? I guess that last moment transformer change threw me.
I might get them anodised purple (or paint)
Black would do me, but shmbo thinks otherwise.........
Class A valve amps don't seem to suffer from this.