Openly Baffled!
Recently I went over to Jim's place for a bit of hi-fiing (Jim is sometime of this parish).
I took my Young and PSU, James' Lightspeed, and my dicky Eva and PSU.
Jim's system included a pair of home made Open Baffle speakers based on Lowther full-range drivers and Eminence (I think) bass units. These were driven by a modified Leak valve amp (Lowthers) and a pair of DIY SS monoblocks (bass units) and a Behringer active crossover.
Front ends are a DIY turntable and the very best TT I've ever heard (no kidding!), a Garrard 401 in a custom plinth with heavily tweaked Rega arm and I don't know what the cartridge was. This thing plays rhythms like the very best digital. If I still had my vinyl, I'd be looking for a 401 and trawling Jim's knowledge.
Anyhow, the OBs were very impressive, particularly on brass and voices, but there was great spatial ability and bass that went way down when there was need to. All with great timing and drive. These speakers seemed at home with all the music we had time to try them with, and with the analogue and digital sources.
My main problem was a difference in character between the bass end and the rest of the frequency spectrum. Jim agreed, and the day after substituted another pair of SS monoblocks (nearly identical to the other pair) for the tube amp. He tells me it's cured the variation in character, but there are some things he prefers about the valve amps.
Meanwhile, I'm very impressed with my first encounter with OBs. They appear to do many of the things I like about horn speakers, but without the cabinet-derived problems. There may not be that last iota of immediacy you get with horns, but everything else seems to do its thing better. And, although the OB world is generally aligned with the high efficiency/low output crowd, there seems no reason why a less sensitive driver shouldn't be chosen to make a better match for my powerful TDSs.
I'm very tempted by the OB route.
Has anyone else here experimented with OBs? Or, indeed, does anyone run OBs?
Comments
I feel that the cabinet is one of the weakest parts of any speaker (interesting your comments on horns above), but attempting to neutralise it with bracing or plates of rigid material doesn't always yield good results - to my surprise & frustration in the past!
Removing the cab altogether sounds liken an elegant solution (as does an OB line array in each corner of the room...), and I always wondered about mounting speaker drivers flush into the wall too!
I have also heard pretty much all speakers benefit from having the crossover removed from the cabinet and installed in a seperate box, but I never tried that trick.
Speaker design often looks much like a black art to me, I'm glad Jim has found a way to get it to work well.
It's not just me then.
I'm in, Dave!