Your Favourite Cartridge...Past or Present.
I'm slightly embarrassed by the shear number of cartridges that have been through my paws over the years but of those (many) only two really stand out as remarkable in their own way:
1. Sumiko BPS EvoIII
2. Shelter 5000
The first is a HO MC design and unlike with its predecessors, Sumiko finally managed to address the pretty awful flux damping to get rid of the renowned shrill upper register of earlier Blue Point models. I'v read many rave reviews on the original versions, mainly state-side, but all I can say is they must need their ears de-waxed, because there's very little to recommend an early Bluepoint, especially when put up against something like a Denon DL110 or DL106.
The unusual thing about the BPS EvoII is the variation that can exist between carts depending upon how they were wound, but get a good one and you're in for a treat. Think Lyra presentation and clarity for a fraction of the cost...they can be that good. I found though that they're pretty fussy to set up and benefit from a slightly tail down mounting and VTF set on the heavier side of the recommended scale. Detailed and atmospheric with the right material and something of a bargain at just over £200 these days.
The Shelter's in another league completely. In fact it's almost in a league of its own. At £1700 it isn;t cheap, but neither is a Zyx Airy or a Koetsu Black. Anyone familiar with the 501 will know just how beguiling Shelter carts can be. The 901 was famously the subject of a bitter lawsuit in the USA when it was re-branded and sold under a different name at twice the cost of the genuine one....Shelter won that case I believe. Its the measure of just how good it was, and still is. The 5000 takes the best bits of the 501 and the 901 without adding any of the colouration the former was known for and offers one of the most, if not the most dynamic MC cartridges made today. It;s dynamic range and frequency response are staggeringly good and it tracks as well as the best of the rest. It remains my all time favourite moving coil cartridge and I reckon is set to become a future classic.
Comments
The lowly Denon 103 also shows up many more expensive cartridges. It's my backup, but at the moment it's my main until I get the Decca serviced.
Probably a Kiseki Agate Ruby, though Van Den Hull MC2 was lovely too.
Paul.
Another vote for Decca's I am afraid. My current Mark 4 C4e with fine line stylus has none of the over exburance of my SuperGold just incredible dynamics and realism.
Previous favourite was Technics 205C Mk4 till the stylus sadly wore out. Shows how refined a MM can be.
Similarly, I believe one can make a speaker of some kitchenfoil and a paper plate. There is a youtube somewhere...
I think that was bettered by a Dynavector DV20XH, which was luverly. Very fulfilling.
Now using a Decca SG which is extremely revealing, and so is a PITA to set up. It took ages for me to get it sounding as I wanted it. The best I've used by some margin.
There are steps of £200 between these cart's, and I've been satisfied that they've all been worth what they cost. In fact I think at these prices I can hear differences/improvements between cartridges more than I do between different types of any other component in my system. It always seems money well spent.
:-*
love the Ortophon SPU GT with VDHul tip
thouroughly enjoyed the Dynavector 10X5
Audio technica AT24 is delicate
Thought the Ortophon MC30 super was boring until I heard it through the Albarry MCA 11 phono stage, now it's fantastic!!
I do fancy a Benz Micro Glider or a Dynavector 17d3
regards Al
I used 17D2s, then the D2.5 (had a slightly higher output) and then a 17D3 for about 15 years. Loved it - very magical on the end of an Aro. Now have a Te Kaitora, which is just a bit more laid back, but incredibly transparent.
The one MM i really liked was the Rega Exact...
Luckily the Decca SG that I use now doesn't really have a "cantilever" so I haven't managed to destroy it. Yet. Touch wood. Oh bugger, why have I just typed that...?
Well, I've been a member of Chews for ages, but never really contributed much for some reason.
So I may as well start again, here and now!
My current choice of cart, and a long-lived one it has been, is a Zu-ed Denon 103 with an elliptical tip.
It sure is purdy to my humble eye! :x
And the sound is also most pleasing - it has the bounce and enthusiastic energy of the basic 103, but with extra solidity, sophistication and refinement.
I keep trying others, but always return to the Zu 103.
hey - you want some nice pix of carts? -- here's some of mine from the last year or 3 ---
;-)
My fave continues to be the Denon 103R . I prefer 'Music' carts rather than 'HiFI' carts if that means anything ...
There are many ways to make a 103R sound bad , tizzy resonant arms being a very good way. There are a few ways to make it sound glorious , I find my best shot yet is to take a Mayware formula IV unipivot and add about 6g of lead to the headshell, run the cart into 100R and weight it at 2.35 to 2.4g . I believe the Morsiani unipivots or Schroeder are magic with the 103R , but I'd probably make one before trying to save that amount of money .
I've tried a number of expensive carts on this arm or my previous OL Illustrious , and they all fell short : Koetsu Red, Zyx R-1000 Airy, Dyna XX-1L, and Dyna XX-2 II ( this one was very close ) . I wish the top-end of the XX-2 was as nice as the XX-1L , but it's a bit 'HiFi' to my taste .
I always hear good things from Ortofon SPU's , one day I will 'move up' , just need to check the re-tip costs as I put a lot of hours on the system - 700 to 800 per year .
The plain 103 is pretty good , but doesn't have the clarity of tone , particularly in the treble, that the 103R has.
S